Orders are available for pick-up at Restaurant Nicholas at 160 Route 35 South Red Bank, NJ 07701 during the following times:
Monday: 9:30-3:30; Tuesday – Friday: 9:15am – 9:00pm; Saturday: 11:00am – 9:00pm; Sunday: Closed
$28.00 $22.00
The last several months have sent shock waves through the drinks industry. Coke just announced that they’re ending production of over 200 brands – almost half the portfolio. Turns out over half of their sales came from big stadium events and sports.
Pretty much the same in the wine industry as restaurants worldwide have sidestepped targeted allocations that have been in place some times for decades. The Nicholas faithful have benefited. Sylvain Baily Sancerre from Balthazar, Bisci Verdicchio from French Laundry, Tiefenbrunner Pinot Grigio from Per Se, and four times my normal allocation of Domaine LeFlaive.
But apart from a Napa Cab or two headed for a steakhouse, I had very little to show for red wines earmarked for some of NYC’s top spots. But I can emphatically say, that changes today.
In the Santa Ynez Valley in Santa Barbara, a silent revolution has been taking place just to the east in Happy Canyon, where Pete Stolpman, Dan Dierberg, and Philippe Melka at Crown Point have been heads down quietly making some of the best under the radar big red wines in all of California from this warm, sun exposed micro climate.
That’s where today’s Cab, Ground Effect comes from– a tiny producer from Happy Canyon who first hit it big when NYC giants Gramercy Tavern and Soho House selected their Santa Barbara Cabernet for their wine lists.
From there, it’s only been up. Aided by its juicy placements, it ended up in the hands of Eric Asimov at the New York Times who gushed about it, including it in his “20 under $20 wines to enjoy on weeknights”. That certainly didn’t help make this small production Cab become any easier to get.. or any cheaper.
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In the 2020 vintage in Gevrey-Chambertin, yields were super low and temperatures were hotter than most Burgundian winemakers are accustomed. Many picked too late when the sugars were high and the fruit really ripe, but that was not the play. Still, Ann remained as cool in those hot temps as she did so many years ago in Napa, concentrating more on acid levels than sugars and picking at just the right time. This wine is absolutely singing – it’s an age-worthy beauty that should be even better in 4-7 years.
#3 Wine Spectator Top 100 Wines of 2021
96 Points, Parker’s Wine Advocate – 95 Points, Wine Spectator
We are one of the very few folks who have Wine Spectator’s #3 Wine of the Year. This is definitely not one to miss. The 2016 vintage showcases this prized vineyard in all its glory; notes of wild black fruit, thyme, mint, eucalyptus, and bay are lifted and enjoyed with the polished tannin and mouthwatering freshness of this wine. Regarded as one of the best vintages in the last few decades, the 2016 Martha’s Vineyard has been aged to perfection for immediate enjoyment at release and will continue to reward for the next 20+ years.
#24 Wine of the Year (2022), Wine Spectator
92 Points, Wine Spectator – 91 Points, James Suckling
“This supple red shows a core of cherry and plum fruit allied to olive, juniper and tobacco notes. Delivers well-integrated tannins and acidic structure, lingering nicely on the finish.”
The secret to Philippe’s tightly wound, complex Pinot Noir is a combo of ancient vines, natural farming techniques, and low yields. The wines are built to age, with incredible tension and length. And the secret to me securing his other-wordly 2017 old-vine Gevry-Chambertin can be chalked up to a great relationship and over a decade supporting superior Burgundian winemaking. The wine is scary good. The nose is wild, filled with spiced dark raspberries, red flowers, and baking spices. The palate is elegant and racy, with a dynamic tension that runs right through its minute-long finish. This is a high-toned, wound-up Pinot, that is starting to hit its prime and is really turning out to be a ‘must-have’ for true Burgundy lovers.
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